Interview with Author Karen Sandler

Today I’m excited to interview Karen Sandler, the author of Tankborn. After emailing with Karen and reading her blog and website, she still managed to surprise me with her answers. She leads such an exciting life!

Hi Karen! You write romance and YA sci-fi, but which is your favorite?

Science fiction is my all-time favorite genre. Although I’ve always read pretty widely and eclectically, SF is number one. It’s the first genre I tried to write too. I wrote plenty of SF short stories before I ever wrote my first romance. The second romance novel I wrote (the first one was too abysmal to count) was a science fiction romance.

You worked on the space shuttle program. That’s so exciting. Do you think that this contributed to your fascination with other worlds?

I think my fascination with other worlds led me to want to work on the space shuttle program, and in turn the job fed my fascination with other worlds. I should also mention that I applied to be an astronaut with the space shuttle program. I didn’t make it very far (never heard back from NASA), but I followed the launches and space walks, grieved terribly with the Challenger and Columbia disasters.

It amazes me that there are people out there who don’t like science fiction. It’s a little like not liking chocolate. I see the science fiction genre as a guide to our future—good and bad. In fact, maybe reading about the bad (such as dystopic stories like The Hunger Games and Tankborn) can help us make better decisions for our future.

I’ve heard you mention the idea that if we are not expected to do great things then we are more likely to excel. Do you find this is often true? 

What I was trying to say is that sometimes high expectations can be paralyzing and demoralizing. I remember my first year in graduate school I felt overwhelmed by class work. Prior to that, school had been my area of success. But in grad school, I was trapped both by my own expectations of myself, and the role I played in my family—I was the smart one, the one who did well in school. My very identity was threatened by what I thought was imminent failure. I was having some pretty dire thoughts, experienced some very dark moments. I did push through and made a respectable showing, but it was a difficult time.

I don’t think the opposite is a good thing—having it ingrained in you that you’ll never amount to anything. But there’s a certain freedom in not having external expectations at all. To excel because you find joy in excelling, to succeed when you’re self-motivated. There’s a freedom in working hard because you want to, not because you’re expected to.

Do you have a favorite email from a reader?

This isn’t from an e-mail, but from a snail mail letter. Here’s the best part:

“Tankborn is now my all-time favorite book. I’ve read it five times already.”

It put a huge smile on my face when I pulled that letter out of my P.O. Box and read it the first time. I’m sure I’ve read it more than five times since.

You wrote in your blog that you are a fast walker and do not like to meander. Does that translate into your writing career?
 
Well, being a fast walker doesn’t translate into my writing career, but maybe into my writing process. When I was writing the shorter romances I did for Harlequin, I used to write them pretty quickly (a 60K word book would take about 4 months). I’ve tried to keep up that same pace with the SF books, but they are far more complex plots. The details really take some thinking about. So while I do keep up a pretty decent pace (and I’m generally screaming fast when I get close to the end), I don’t write nearly as quickly as I used to. But I still walk fast.

What is your revision process like? 

My goal is always to get the book written, the manuscript finished, before I revise. In practice, I do end up doing some light editing as I go, usually going back to touch up a page or two from a previous writing session before going on with new material. Also, when I figure out something needs to be changed earlier in the book that’s going to foreshadow something later, I’m not very good at leaving that for the revision process. I feel much better going back and working in the foreshadowing or clues that occur to me, then once that’s in place, move on.

I do sometimes just make a few notes to myself about stuff that I’m going to have to handle in the re-write. But even in those cases, they’re often notes made at the end of the day and are the first thing I handle the next time I sit down to write.

But I do generally write the entire manuscript, then do a read-through during which I make the changes I see are necessary. I always know, though, that my editor will have changes of her own, which might be fairly extensive. It’s kind of cool finding the solutions to the problems my editor points out.

Casper in bed

Tenka asking for a bellyrub

Zak posing for the camera

You have cats and horses and you dance too. Do these hobbies find their way into your books?

Heh. Cats aren’t a hobby. They’re a way of life. At least the cats think so. I have three—a young former feral named Zak, a rather chubby female Siamese/calico mix named Tenka, and a cranky old guy, Casper, who’s diabetic and requires insulin shots twice a day. They all live indoors only (Casper used to go out during the day until he got beaten up by a stray dog).

My mare is an Andalusian/Morgan cross and I mainly do dressage with her. Dressage is that really boring equestrian event that no one watches at the Olympics.

The dancing I do is international folk dance. It’s a fun mix of partner dancing and line dancing from countries all over the world—Israeli, Romanian, German, Indian, Japanese, Norwegian, American, British, Italian, etc. My husband and I belong to a group that meets weekly, then we’ll do the occasional performance or special event. Here’s a video that includes my husband and me dancing. I’m the one in the black turtleneck and striped skirt.

I have rarely been able to work either cats or horses into my books. Of the nearly 20 books that I’ve published, I think there were two books that included cats (the romances Chocolate Magic and His Miracle Baby) and two that included horses (romances The In-Between and Counting On a Cowboy). The animals were very minor influences on the plot.

I do have a dance scene of sorts in the upcoming Awakening, the second book in the Tankborn trilogy.

Where can we watch your short films?

I’ve only put Sweet Tooth up on YouTube,. Here’s the link:
Karen Sandler's Sweet Tooth

Thank you Karen for interviewing with me! Please feel free to send Karen your questions and thoughts in the comment box below.

Karen Sandler on the web:
Karen Sandler's website
Karen Sandler's blog
Follow Karen on Twitter: @karensandlerYA

Thoughts About Joy and Angst

An agent once told me that the difference between young adult and middle grade fiction is sex and angst. As a general guideline, young adult novels are aimed at teenagers fourteen and above, while middle grade novels are written for the 9-13 crowd. This division exists from bookstore all the way down through publishing houses and literary agencies, to the writer who sits at home and writes. You might think that distinguishing between teenagers and pre-teens means that young adult novels deal with more complex, adult themes than middle grade. This is true, but not always. Most often I find that YAs really do have the obvious and double advantage of focusing on sex and angst.

So what is angst? I looked it up in the urban dictionary and found these definitions: “Angst...combines the unbearable anguish of life with the hopes of overcoming this seemingly impossible situation.” And specifically about teens: “Angst is about downtrodden teenagers thinking they’re the only bloody people in the world who have it tough, and think that gives them an excuse to wallow in their own self-pity instead of actually doing something about their situation.” Pretty serious wording. Do teenagers really feel like that?

I have an image of myself as a teenager. I think at least in my last two years of high school I suffered from depression. I remember myself mostly painting in my bedroom, listening to Shlomo Artzi on my tape recorder. As a two-time transplant (Israel to South Africa to California in three years), I too carried the weight of the world. I felt like I didn’t belong either with other kids from my class or with the pack of Israeli Tzofim (scouts) who made up my main source of social life. Anguish? Yes. Downtrodden? Yes. Impossible, unbearable and alone.

But here’s the thing. I write to you today in this blog whose name is “Lil’ Corner of Joy,” and to tell you the truth, I don’t want to write about angst. What I want to write about is the diamonds that hide in all of our lives, the precious moments of utter being, of pure pleasure, that make everything else worthwhile. I don’t want to add more negativity to a world already beset by newspaper gossip and televised violence. I want my writing to be a haven, a bubble of peace in the midst of life, a place to rest the mind and come out rejuvenated, inspired, loved.

I’m an idealist. I am also really good at burying my head, ostrich-like, in the ground. The world needs its share of social revolution and political reform, but it also requires dreamers. Like Leo Lionni’s Frederick, the mouse who collects the rays of the sun, the colors of the flowers, and words to help his fellow mice survive winter, I believe food for the soul can make a difference in the world as great, or greater, than any struggle.

All Eyes to the Target: Boy Ahead!

I read somewhere that young adult plots tend to concentrate on finding love, while middle grade novels depend on character development. I understand why 9-12 audiences are not interested in romantic endings. I also completely get why young adults would find the process of finding love more fascinating than almost any other subject. Love in YA novels, however, often comes hand in hand with the search for an inner truth and independence, an attempt to understand and find a place in a confusing world.

A friend of mine told me that she decided at eighteen to discover who she is alone before finding out who she was in a relationship. I appreciated what she said. I think it is a good lesson to learn, and I tried to follow it after my divorce. I met my ex husband at nineteen, when I did not have the presence of mine or inner strength yet to insist on what I want in the midst of my desire to please him, my craving for his love, and my fear of being alone. I hope, through my writing, to impart to girls the knowledge that facing these fears and needs and finding the “I” behind is possibly the most important and transforming experience in growing up.

I just finished reading Forgive My Fins by Tera Lynn Childs. Fluid and fabulous, the novel is a great example to YA love trends. The protagonist, Lily, is a mermaid living on land who must bond with a guy (for life) before her eighteenth birthday, or else she will not inherit her father’s throne. Lily has carefully selected a boy for this purpose. But it’s just so hard to tell him who she is and how she feels! Then Lily’s plans fall apart by another boy who she accidentally bonds with, and now she needs to find a way to put everything to rights again.

I had so much fun reading this novel. I loved Lily, her friends, and Quince, the boy next door. I loved the many fish expressions (like “That Blowfish!” and “curl my fins”). Lily had to find out not only who her true love is, but also what she wants from her life, and in Tera Lynn Childs’ novel the two were inexorably tied together. So maybe Lily doesn’t learn any other life lesson in the novel than that love is stronger than anything. But is that really such a bad lesson to learn? Lily learns to welcome the unconditional and rare love she is given not only from where she least expected it, but from her best friend in the sea and best friend in land and from her father -- all of whom are willing to set Lily free so that she can follow her dream.

And what better lesson is there in the world? What more could I want my teenaged child to know than that love conquers all? In my opinion, there is none.